Video: Jack Costanzo and Ann Miller

The drum on Jack's right was
made by Gonzalo Vergara.

Photo: Ramon "Mongo" Santamaria

Ramon "Mongo" Santamaria

playing one of his drums made by
Gonzalo Vergara.

Mongo wearing a very hip lightweight
Seersucker jacket, a hip hairstyle and
do you notice something about his hands...

Photo: Rumba in Central Park 1961

Rumbiando en Parque Central 1961

Manhattan, N.Y.C.
The Man on the left is playing a 10½ inch drum
hecho por/ made by Gonzalo Vergara en Cuba.

"Jabuco" Tumbador de Conjunto Roberto Faz - Cuba

"Jabuco"

Tumbador de Conjunto Roberto Faz.
(playing a 10½ inch 'Vergara')

Conjunto Roberto Faz
"Jabuco": tumbadoras y solo
Rumba A La Vida

"Los que saben ... saber" - Jay Bereck and Matthew Smith

Jay Bereck and Matthew Smith are in my opinion, the only two Master drum makers that are currently making traditionally styled "Cuban" percussion instruments in the U.S.A. that literally have "Soul" in them.

The "Soul" of both Jay and Matt go into every "organic" wood drum they make.
Drums made of fiberglass and plastic are absolutely "soulless".

Their drums do not look like they belong in a circus,
nor do they look like: "novelty salt and pepper shakers"

These are photos of Jay Bereck and Matthew Smith.
The very definition of Master "Artists-Artisanos"
"Los que saben ... saber"

Jay Bereck - "Skin On Skin"®
Made in the U.S. not cheaply made
on an assembly line in Thailand.

1986 - Brooklyn, N.Y.

I took this photo of Jay Bereck in his workshop with his drums around him. The drum in the middle in front was made by Natalio "Junior" Tirado, it had been stained black by Junior, I had Jay refinish the drum to show the natural grain of the Mahogany.

1994 - Brooklyn, N.Y.
I took this photo of Jay Bereck in his workshop
with four of his Oak drums around him.
The small drum in the front was a 8½ inch
'Requinto' I asked him to make for me.

Oak 8½ inch 'Requinto'
with plain black oxidized bands.

1994 - Brooklyn, N.Y.
At Jays workshop, picking out skins to buy.
This was when the quality of skins were much better than the
"overly processed" skins that are currently available.
No two skins looked alike.

Jay Bereck's "Skin On Skin"® Oak tumbadoras.
With thin "clean looking" brushed steel bands.
Photo: Juan in California

Jay Bereck's "Skin On Skin"® Oak tumbadora.
With thin "clean looking" brushed steel bands.

Jay Bereck's "Skin On Skin"® Oak tumbadora.
With thin "clean looking" brushed steel bands.
Photo: James in California

Jay Bereck's clean looking "V"
Photo: James in California

Jay Bereck "Skin On Skin"® tumbadoras.
"Economy line" made of Cherry wood with
plain black oxidized hardware.

Jay Berecks "Skin On Skin"® Oak bongoes
Photo: Dario, Miami

Jay Berecks "Skin On Skin"® Walnut bongoes
Photo: Dario, Miami

Jay Berecks "Skin On Skin"® Batá drums


Matthew Smith - "Ritmo"®
Made in the U.S. not cheaply made
on an assembly line in Thailand.

Hecho de Walnut, Matt Smith - "Ritmo"®


Matt Smith - Tumbadoras de Oak

Matt Smith - Tumbadoras de Mahogany - "Ritmo"®

Marca "Ritmo"® por Matt Smith

Marca "Ritmo"® por Matt Smith

Marca "Ritmo"® por Matt Smith

Marca "Ritmo"® por Matt Smith

Matt Smith's "V"


Matt Smith's bongoes - "Ritmo"®
Tres variedades de madera.

Matt Smith's bongoes - "Ritmo"®

Matt Smith's Mahogany bongoes - "Ritmo"®
Photo: Dario, Miami

Matt Smith and Jay Bereck
both made of Oak, the one on the right is mine.
"Que viva la memoria del gran Gonzalo Vergara "
Y el gran Natalio Tirado Ruiz a.k.a. "Junior"

Photos & video: Marlon Brando early 1950's

With a nice pair of early Cuban 1950's "tack-head" bongoes.

With an early 1950's Cuban "tack-head".

Marlon playing a 'Gonzalo Vergara' drum.
Late 1950's.
(Photo contributed by 'Geordie Van Der Bosch')

Marlon playing bongoes with band.
Tunable with metal lugs.
(Photo contributed by 'Geordie Van Der Bosch')

After Marlon Brando died, many of his personal possessions were auctioned off publicly about ten years ago. Included were a pair of bongoes given to him by 'Mario Diaz' in 1956.
I bought a pair made like these on Ebay five years ago on Ebay, I made the mistake of selling them.

These styles of bongoes (typically with red and black bands) were commonly sold in music stores in Havana in the 1950's, many sold at the well known 'Solis' music store in Havana.
Drums sold by 'Solis' usually had the stores sticker on the inside of all their drums.

The reason why Solis put a "disclaimer" sticker on the inside was because the majority of drums were bought by tourists, who would then take them back to the U.S.A. where the climates were very different than in Cuba, in cold weather the wood often would contract, sometimes causing the 'stave's' to separate and the drums to then fall apart.

Below: Marlon's "tack head" tumbadora, with a "custom made" travel case with his name on the top. It was also auctioned off.
(Photo contributed by 'Geordie Van Der Bosch')

Video: Marlon "jamming" with 'Jack Costanzo'
Interviewed by 'Edward R. Murrow'.

Tito Puente "The Complete 78s" Vol - I, II, III, IV - N.Y.C.

Many of the original 78rpm records that were used for this four volume set, came from my fathers record collection that he sold to 'Joe Conzo' in the early 1980's.
Featuring 'Vicentico Valdés', 'Mongo Santamaria', 'Willie Bobo', 'Manny Oquendo' and 'Charlie Palmieri'

On these early recordings, Mongo is playing a 'tack head" drum (a drum that needed a can of 'Sterno' to heat the skin head to tune it) and later especially in Vol-IV, you can hear him playing his two drums made by 'Gonzalo Vergara'.

'Mongo' playing a "tack head" tumbadora.

'Mongo' playing his two 'Vergara's' with 'Tito Puente'.

(((Vol - I)))

(((Vol - II)))


(((Vol - III)))


(((Vol - IV)))